I want to carve the message in stone
2023-2024, fired clay, different sizes
2024, Alright, it means something to me
artist book, edition of 500, offset print, 32 x 24,5 cm, 76 pages
Ihr beide
2025, fired clay, inlaid with acrylic paint and stone wax, steel, concrete
2 parts: 136x26x26 cm, 111x29x26 cm
Ende zu Ende I 1,2,3
2022, pigment print on alu dibond, framed, 120x90 cm
Ding 1
2022, fired clay, modeling clay, wire rack, 45x41x32 cm
Außendran 3,4
2022, fired clay, 56x52x6 cm, 37x43x5 cm
Außendran II 1
2023/2024, Fired clay, 20,5x10,5x9 cm
Oie, die beiden
2021, bricks, spray paint, lashing strap, door stopper, 40x50x35 cm
Die lieben Beiden
2019/2021, Oil pastel, permanent marker, graphite on paper, 33,2 x 28 cm
Alright, it means something to me 1,4
2020, pigment print, edition of 10+2 AP, 63x42 cm
Rumpf und Plastik II
2022, Series of 5, Ink on pigmentprint, edition 3+2 AP, 28 x 20 cm
In: Simulacrum Magazine, Jrg. 31 #3 Issue Mimesis, Amsterdam
Socke
2020, print on billboard, installation view Reclaim Award Köln, 252 x 356 x 2 cm
Stirnsteinlied I
2018, site specific installation, steel, acrylic paint, glass, stove, dimensions variable
IchhabekeinenZweifelwenndumirsagstdaßdukeinenzweifelhast
2013, artist book, TBooks Cologne, digital print on recycling paper, 64 pages, edition of 30, 21x14,5 cm
IchhabekeinenZweifelwenndumirsagstdaßdukeinenzweifelhast
2014, installation view Kunsthaus, Hamburg, digital prints on affiche paper, 56 sheets à 21x14,5 cm, total dimension of the work 47,5 x 697 cm
Falt und Lehntattoo (Glas)
2015, UV-print on glass, plaster, fabric , 80 x 50 x 16 cm
Wo der Rotz rausfließt da fließt er auch wieder hinein
2015, glazed earthware, wax, mp3 player, speaker, spotlight, dimension variable
© Sophie Aigner / VG Bild-Kunst
photocredits: Sophie Aigner, Katharina Haak, Kunstraum D21 Leipzig, Temporary Gallery Köln, Reclaim Award Köln, Marlene Zoe Burz, Clara Bahlsen, Marianne Rinderknecht
2025